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- Peter DiMuro
- Ann Brown Allen
- Angelina Benitez
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- Heidi Henderson
- Shannon Humphreys
- Beau Kenyon
- Lindsay Caddle LaPointe
- Kris Lenzo
- Rachel Linsky
- Irene Lutts
- Frederick Moss
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- Elver Ariza Silva
- Brooke Stanton
- Lonnie Stanton
- Mary Teuscher
- Nate Tucker
- Kristin Wagner
- J Michael Winward
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PDM THEN
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- the SOUND: if trees were water
- RSVP (no regrets)
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Kenmore Square
Boston, MA
September 2018
Commissioned by Now + There, Inc.
Boston, MA
September 2018
Commissioned by Now + There, Inc.
RSVP (no regrets) is a site-specific performance exploring access to movement and equitably designed spaces for and by differently-abled bodies, choreographed by Peter DiMuro. Audience is welcome to sit, stand, or roam the concrete ballroom as the performance unfolds. PDM’s company of intergenerational, differently abled-bodies, including guest performers and nationally recognized artists Elver Ariza Silva and Kris Lenzo, explore the concrete furniture created by Liz Glynn, and in doing so invites everyone into the dance on their own terms.
Open House, an installation created by Los Angeles-based, Boston-born artist Liz Glynn, is organized for the Commonwealth Avenue Mall by Now + There. Originally commissioned by the Public Art Fund in cooperation with the artist and Paula Cooper Gallery, Open House was first presented at Doris C. Freedman Plaza in Central Park, New York. This new installment of Open House transforms the Commonwealth Avenue Mall, Kenmore Square into an open air ruin of a ballroom. In this contemporary re-imagining of a historically exclusive space, Glynn addresses the evolving face of a city: who has access to space in a society that is increasingly divided along socio-economic lines? And how can we use history to shape a different future?
Glynn’s lavish Louis XIV sofas, chairs, and footstools evoke these extravagant late nineteenth century interiors, but with a twist — these objects feature sculpted additions and are cast in concrete, a utilitarian material more commonly seen in modern architecture. With this revision, the artist invites the public to enjoy a previously exclusive interior space that is now open and accessible to all.
Open House, an installation created by Los Angeles-based, Boston-born artist Liz Glynn, is organized for the Commonwealth Avenue Mall by Now + There. Originally commissioned by the Public Art Fund in cooperation with the artist and Paula Cooper Gallery, Open House was first presented at Doris C. Freedman Plaza in Central Park, New York. This new installment of Open House transforms the Commonwealth Avenue Mall, Kenmore Square into an open air ruin of a ballroom. In this contemporary re-imagining of a historically exclusive space, Glynn addresses the evolving face of a city: who has access to space in a society that is increasingly divided along socio-economic lines? And how can we use history to shape a different future?
Glynn’s lavish Louis XIV sofas, chairs, and footstools evoke these extravagant late nineteenth century interiors, but with a twist — these objects feature sculpted additions and are cast in concrete, a utilitarian material more commonly seen in modern architecture. With this revision, the artist invites the public to enjoy a previously exclusive interior space that is now open and accessible to all.
Top Cover Photo and Slideshow Photos by: Olivia Moon Photography/@halfasianlens
Peter DiMuro/Public Displays of Motion (PDM) is under the fiscal sponsorship of The Dance Complex. Tax deductible donations can be made through The Dance Complex's website. Follow this link, and select Peter DiMuro/Public Displays of Motion when making your donation.